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File:"Posle Pogroma" (After a Pogrom), 1907.jpg

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Original file (929 × 595 pixels, file size: 99 KB, MIME type: image/jpeg)

Captions

Captions

Reproduction of Petr Isaakovich Geller (born Peisach Itskovich Geller) painting "Posle Pogroma" (After a Pogrom), 1907. Painting depicts a ravaged room, three dead women with signs that they were violated, and a dead child on top of one of the women.

Summary

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Description
English: Reproduction of Petr Isaakovich Geller (born Peisach Itskovich Geller) painting "Posle Pogroma" (After a Pogrom), 1907. Painting depicts a ravaged room, three dead women with signs that they were violated, and a dead child on top of one of the women.
Date
Source https://www.blavatnikarchive.org/item/13948
Author Petr Isaakovich Geller

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
Public domain
This work was published on territory of the Russian Empire (Russian Republic) except for territories of the Grand Duchy of Finland and Congress Poland before 7 November 1917 and wasn't re-published for 30 days following initial publications on the territory of Soviet Russia or any other countries.

The Russian Federation (early Soviet Russia, RSFSR) is the historical heir but not legal successor of the Russian Empire, and the Russian Empire was not party to the Berne Convention (it was not country of Union for the protection of the rights of authors in their literary and artistic works), so according to article 5 of the Convention this work has no country of origin except:

  • in the case of cinematographic work the maker of which has his headquarters or his habitual residence in a country of the Union, the country of origin shall be that country,
  • in the case of architecture erected in a country of the Union or other artistic works incorporated in a building or other structure located in a country of the Union, the country of origin shall be that country,
  • in the case of other works if the author is a national of a country of the Union¹, the country of origin shall be that country.

¹ - Author who is not a national of a country of the Union but who has his habitual residence in a country of the Union, be assimilated to national of that country.


If applicable, {{PD-Russia-expired}} should be used instead of this tag.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.

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Public domain This work is in the public domain in Russia according to article 1281 of the Civil Code of the Russian Federation, articles 5 and 6 of Law No. 231-FZ of the Russian Federation of December 18, 2006 (the Implementation Act for Book IV of the Civil Code of the Russian Federation).

This usually means that one of the following conditions is fulfilled.

  1. This work was originally published before January 1, 1930 and the known author of this work died:[1]
    • (a) before January 1, 1951 or
    • (b) between January 1, 1951 and January 1, 1955, did not work during the Great Patriotic War and did not participate in it.
  2. This work was originally published anonymously or under a pseudonym before January 1, 1930 and the name of the author did not become known during 50 years after publication, counted from January 1 of the year following the year of publication.
  3. This work is a film (a video fragment or a single shot from it):
    • (a) which was first shown before January 1, 1930[2] or
    • (b) which was created by legal entity between January 1, 1929 and January 1, 1930, provided that it was first shown in the stated period or was not shown until August 3, 1993.
  4. This work is an information report (including photo report), which was created by an employee of TASS, ROSTA, or KarelfinTAG as part of that person’s official duties between July 10, 1925[3] and January 1, 1930, provided that it was first released in the stated period.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.
[1] If the author of this work was subjected to repression and rehabilitated posthumously, replace the death date by the later rehabilitation date.
[2] Amateur films which were first shown on January 1, 1930 or later are subjects of points 1-2 of this template.
[3] ROSTA reports created before July 10, 1925 are subjects of points 1-2 of this template.


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File history

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Date/TimeThumbnailDimensionsUserComment
current05:02, 6 December 2025Thumbnail for version as of 05:02, 6 December 2025929 × 595 (99 KB)AndreJustAndre (talk | contribs)Cropped < 1 % horizontally, 1 % vertically, 1 % areawise using CropTool with precise mode.
05:01, 1 August 2025Thumbnail for version as of 05:01, 1 August 2025931 × 600 (100 KB)AndreJustAndre (talk | contribs)Cropped 7 % horizontally, 10 % vertically, 16 % areawise using CropTool with precise mode.
04:59, 1 August 2025Thumbnail for version as of 04:59, 1 August 20251,000 × 666 (102 KB)AndreJustAndre (talk | contribs)Uploaded a work by Petr Isaakovich Geller from https://www.blavatnikarchive.org/item/13948 with UploadWizard

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